The Feminist Rhythm: Exploring Khoury, Qaraman, and Daher’s Poetic Worlds

Abstract

This study provides a formalist critique of feminist writing in the poetry of three Palestinian poets: Nidaa Khoury, Suad Qaraman, and Mona Daher. By examining their works through a lens that highlights language, structure, and symbolism, the study uncovers the nuanced ways these poets challenge patriarchal norms, explore identity, and assert feminine agency. Central to their poetry is the tension between personal and societal expectations. Khoury critiques societal rituals and the double oppression faced by women in patriarchal and colonial frameworks. Qaraman integrates mysticism and spiritual longing with political resistance, using Sufi-inspired imagery to connect personal liberation with national aspirations. Daher, in turn, oscillates between romantic longing and defiance, critiquing male dominance while celebrating feminine resilience. The male counterpart in their poetry emerges as a complex figure, representing both oppression and transformation. Through vivid imagery and layered metaphors, the poets navigate themes of betrayal, renewal, and existential reflection. Their works are positioned within a broader feminist literary tradition, drawing comparisons to global writers such as Sylvia Plath, Adrienne Rich, and Simone de Beauvoir, while remaining deeply rooted in the Palestinian cultural and political landscape. This study concludes that the poetry of Khoury, Qaraman, and Daher exemplifies the transformative potential of feminist poetics. By intertwining personal experiences with broader social critiques, their works contribute significantly to both Palestinian literature and the global discourse on women’s emancipation and identity